There are cloth dolls that are respectful in nature and there are dolls that are caricatures which exist in the collecting marketplace. There are truly old dolls and modern reproduction folk art dolls made in tribute to the true old rag dolls and caricature styles. I am going to share what I know about the dolls made by women for children, both black and white. It is not my place to say where these cloth dolls belong in African-American history. What I want to do is start a conversation about how and why these dolls exist and the fact that the majority of truly old dolls were made for children out of a love that transcended racial lines. The Fruitlands Museum in Harvard, Massachusetts, has a small collection of cloth dolls that were owned by the children of abolitionist Bronson Alcott. Photo courtesy The Fruitlands Museum The love and craftsmanship in these dolls is clearly demonstrated by how these simple dolls have held up over time. The makers of these pieces of art deserve credit for their work and the heart they put into making these items.
Beautiful Black-Cloth Dolls: Yesterday, Today and Tomorrow
The exhibition features 22 rare pieced and whole-cloth American quilts made before , selected from the collection donated to the Smithsonian in by Patricia Smith Melton, a Washington playwright and quilt historian. These heirloom quilts, dating from about to , preserve a notable era in textile and quiltmaking artistry.
Before the United States developed a textile industry in the s, colonists and citizens imported quality printed cottons from Britain or France.
Nov 10, · -Clues in the Calico, by Barbara Brackman-Dating Fabrics, books 1 and 2, by Eileen Jahnke Trestain-Fabric Dating Kit, by Cindy Brick. Also, just browsing through quilt history books and books with vintage photos of all sorts can really hone your eye.
Purchase 45″-wide fabric in the following amounts: The pattern was pulled, with permission, from the Connecticut Historical Society stay number The pattern package contains Past Patterns’ Background Notes, published for the first time, reviewing differences among eighteenth-century stays, transition stays of the late eighteenth and early nineteenth centuries, and classic stays of the first quarter of the nineteenth century through the early twentieth century. The Background Notes also show detailed drawings of transition stays in museum and private collections, plus contemporary documentation dating the Connecticut Historical Society stay to between the late eighteenth century and Additional illustrations from advertisements, catalog companies, United States patent records, and ladies’ magazines of , as well as original garments, document cupped stays made both at home and commercially.
These garments were in addition to, if not a complete substitute for, the stiff and inflexible, waist-compressing item that most people imagine when the word corset is mentioned today. Detailed illustrated fitting and construction instructions complete the package. Saundra Ros Altman has been indebted since at least , and will be for the remainder of her life, to clothing historian Nancy Rexford.
She was the person who first introduced me to the administration at the Connecticut Historical Society and who sought permission for me to produce the Connecticut Historical Society stay pattern. This pattern would not exist without her support. Rexford is a guiding light, sharing her knowledge with both veteran and novice students of costume history. Inspired by her dedication and example, I have continued to work to share historical fashion with the public at large, via historical patterns.
By researching in public and private collections and archives, and by creating patterns from original garments, I have, I hope, allowed people to make and wear clothing that exemplifies fashion history in the round.
Furniture : Armchairs, chairs, seats, stools
Clues in an Old Quilt Becky writes from Virginia: There is NO history – only that her sister’s Mother-in-law was an antique dealer many years ago. Seeing and touching quilts like these always makes me hold my breath while I try to absorb as much of it as I can.
May 16, · There’s a drool shop near our former flat in London (we gave up the flat share) that has the most utterly decadent fabric on the planet – and this is in London, one of the homea of decadent fabrics! £ per yard, etc.
Madder browns have an unfortunate tendency to deteriorate or “tender” fabrics. The darkest brown in the quilt above, mordanted with iron, has oxidized, leaving large holes where the dark stripes were. The batting is showing through. A detail of the star quilt. It’s an interesting quilt because of all the mismatched strips added to the triangles to make them fit. And doesn’t that madder-style print at right look like tiny rotary cutters??? Madder-style prints were popular for clothing and quilts the fabric of everyday mid th-century life.
Cottons dyed with madder are among the most common fabrics in nineteenth-century quilts. Madder pleased both mills and customers because it was colorfast and inexpensive, yet versatile. Dye from madder root could produce the bright orange, the paler and duller oranges and the chocolate browns in these prints. The calico printer treated the yardage with different mordants metal salt solutions such as iron or aluminum and dipped the cloth in a single dye bath made from madder root.
Each mordant reacted differently with the dye, producing colors ranging from red-orange through purple, brown, and almost black.
What is a Textile Fabric | Classification of Textile Fabric
History of science and technology in the Indian subcontinent , List of inventions and discoveries of the Indus Valley Civilization , and Timeline of Indian innovation Construction, Civil engineering and Architecture[ edit ] Iron pillar of Delhi: The world’s first iron pillar was the Iron pillar of Delhi—erected at the time of Chandragupta II Vikramaditya — Earliest clear evidence of the origins of the stepwell is found in the Indus Valley Civilization’s archaeological site at Mohenjodaro in Pakistan  and Dholavira in India.
The origin of the stupa can be traced to 3rd-century BCE India. Ancient bricks found throughout the region have dimensions that correspond to these units. The earliest evidence for the existence of weighing scale dates to BC BC in the Indus valley civilization prior to which no banking was performed due to lack of scales.
Vintage fabric is popular among fashion and sewing enthusiasts, as there’s nothing quite like making a traditional-styled garment out of traditional fabric! Vintage fabric can be used for multiple purposes, from crafts (such as fashion, home décor, and quilting) to education, teaching about the.
Hi Doris, When you have individual pieces of fabric, the Brackman and Trestain books you mentioned are good for getting a date range. In another book you might find the same piece of fabric that is in a dated quilt and that would indicate some sense of time too, but ladies had deep scrap bags back then. Also, the fabrics you mention were made for a long period of time, so it may not be possible to get exact.
Salesman’s sample cards would be another good source and can be found as pictures in books sometimes, check out Roderick Kiracofe’s “The American Quilt”. In general the acid greens, natural turkey red, chrome yellows and antimony orange were around from about to in America. Chrome or antimony orange solids continued on into the 20th century. Indigo and double pinks were so popular they span the century and continue into the next.
The print and method of printing help to date these a little more, but it is not always easy. Value with swatches and pieces of fabrics you describe are based on what the buying public will bear. They are not rare, nor were they expensive to make at the time they were made. Thank you for letting me use your question and prints on my Website, for other readers to enjoy.
One more step
Europe[ edit ] Whole-cloth quilt, 18th century, Netherlands. Textile made in India. In Europe quilting appears to have been introduced by Crusaders in the 12th century Colby , in particular in the form of the aketon or gambeson , a quilted garment worn under armour which later developed into the doublet.
The process of fabrics formation also determines the name of fabric produced, for example, felt, lace, double-knit, and tricot. The selection of method for fabric formation is largely a function of the properties desired in the fabric.
Back to Top Absorbency – The ability of a fabric to take in moisture. Acrylic – A manufactured fiber; its major properties include a soft, wool like hand, machine washable and dryable and excellent color retention. Alpaca – A natural hair fiber obtained from the Alpaca sheep, a domesticated member of the llama family. Angora – The hair of the Angora goat. Also known as Angora mohair. Angora may also apply to the fur of the Angora rabbit. Antique Satin – A reversible satin-weave fabric with satin floats on the technical face and surface slubs on the technical back created by using slub filling yarns.
It is usually used with the technical back as the right side for drapery fabrics and often made of a blend of fibers. Argyle – A pattern designed with different color diamond shapes knit into a fabric.
List of Indian inventions and discoveries
Louise Levathes makes a pilgrimage across the country for the ultimate sari Louise Levathes In an alley off the busy streets of Mumbai is the workroom of textile designer Bela Shanghvi. We look first at a beautiful pashmina woolen shawl from Kashmir with a blue-and-white paisley design all over. Shanghvi talks about how the delicate, intricate needlework of the scarf echoes the flowery speech and complexity of the Kashmiri people, who are sometimes considered “difficult to read.
Gujaratis, she adds, either consciously or unconsciously create fabrics that stand out from their harsh landscape. In contrast, eastern India is lush and full of color, and, Shanghvi says, the women there favor simple white saris with a gold or red border.
Use Museum of the Fur Trade Quarterly articles on trade calicos to get an idea of what simple calico prints looked like. Use quilter’s resources for dating calico fabric to get an idea of what was available during the rendezvous period.
January 9, at I think I must try this, even if I am quite new at it, and will for sure not find this beautiful fabrics or the templates here in Sweden: Anyway, I will follow your work, look and learn, I think it is a lovely pattern! Best wishes January 9, at 3: I’m so looking forward to this sew a long. Have everything I need and have tried to open the pattern to download; however, I get an error message.
It’s probably me–any words of wisdom! Counting the days to this starts. Thank you Lori for everything I’ve learned from your sew a longs and patterns. I have been a faithful follower of your blog. This will be my first quilt a long. I have not had much time to sew but decided I am going to make time. I received your Farm Girl Vintage book for Christmas and am absolutely in love with the book.